Sonia Andrade

Sonia Andrade
Born 1935
Rio de Janeiro
Nationality Brazilian
Known for video art, installation, photography, body art

Sonia Andrade (born 1935) is a Brazilian feminist and visual artist. She was born in 1935 in Rio de Janeiro in Brazil[1][2] She was one of the pioneers in video art in Brazil. Her video works use appropriation, humor, and political commentary to break down accepted visual codes.[2]

Works

Andrade's body of work includes drawings, photography, objects,installation and multi-channel video to achieve what she calls "the most important aspect of art-the relationship between the spectator and the object."[2] Some of her earliest video work dates from the mid-1970's. In these provocative pieces, Andrade deformed her face with threads, fixed her hand to a table with wire and nails, and removed body hairs with scissors.[3] Later work consisted of assemblages of found objects, as well as drawings, photographs, sculptures, neon art and installations.[1] Hydragrammas is her most famous piece of work which consist of hundreds of small objects that assemble into a sculpture, which was eventually displayed in National Museum of Fine Arts and later at the Museum of Contemporary Art of São Paulo.[1]

Exhibitions

Notes

  1. 1 2 3 4 5 6 Ansari, Saria. "Sonia Andrade Retrospective Show in Rio". The Rio Times. Retrieved 14 October 2014.
  2. 1 2 3 Ansari, Sonia (March 2007). "Art and the Feminist Revolution". WACK!. WACK! Publishing. pp. 1–9. Retrieved 14 October 2014.
  3. ↑ Machado, Arlindo (May 18, 1995). "Video Art: The Brazilian Adventure". Leonardo. 29 (3). doi:10.2307/1576251. JSTOR 1576251.
  4. ↑ "Foreign Bodies, Louvre Press Release Exhibition" (PDF). “Foreign Bodies," Louvre Press Release Exhibition. The Louvre. October 13, 2006. Retrieved July 29, 2016.
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